“The past is what happened, history is what is written about it.” This favorite quote from James Carter, Professor of modern Chinese history, has weighty implications for society and governance broadly. It also arises in less flashy, if not less important, venues. The questions raised are the same no matter the context. What is the past? Who gets to document this past in our histories for today and tomorrow? Spring Dawn over the Elixir Terrace, Lu Guang, 1369, Metropolitan Mu

Who am I? How should I act? Why? These questions keep coming to mind lately. Maybe because I have now entered my seventh decade of life. So, I am stepping aside for a moment from the onslaught of daily news fraught with unrelenting disquiet. Pondering briefly the self in culture and belief on the long and winding road of life. What of the individual in the Confucian and Buddhist traditions of China? Landscape painting with poem alluding to virtuous and lowly men, by Gong Xian

China is a place where the past walks beside the present, receding but never disappearing. Three artifacts that reflect this are dragon screens, pagodas, and city walls. They are not simply physical structures. They form an architecture of Chinese authority, belief, protection, and thus identity. They are symbols that explain a worldview. Dragon Screens Datong Nine Dragon Screen ( www.westchinatour.com ) Dragons are powerful creatures in China. Unlike Western tradition, Chine

Andrew Singer Talks About China and America, Vol. 2, Issue 32 China is the land of the “Three Teachings” – Confucianism, Daoism, and...

Andrew Singer Talks About China and America, Vol. 2, Issue 4 Merit has been a central concern in China since before the more than...